Full Time Real Estate Photographer

If your income stops the second you stop shooting, you don’t own a business. You own a job with a camera.

Six questions, sixty seconds. Get the roadmap for the stage you’re actually at — not generic advice you’ve heard a hundred times.

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No credit card. No sales call. Just the plan for where you are.

The honest version

Booked every weekend, and you still can’t take one off.

The cold truck at 7am. The 11pm edit you promised for the morning. The agent who ghosts the invoice. You’re booked — and the day you stop shooting is the day the money stops.

That’s not a photography problem. It’s a business problem. The photographers who get free learn the cash register — what to charge, how to land agents, what to hand off — not another lens. Fix the register and the hours stop owning you.

The part most coaches can’t say

I spent 10 years on the other side of the table.

Before I ever picked up a camera, I was a real estate agent — a decade of it. I’ve hired and fired more than 200 photographers. I know exactly what makes an agent open the email, book the shoot, and send you the next three listings.

Most photography coaches have never sat where the agent sits, trying to move a $600K listing in 72 hours. I have. That’s the edge I hand you — the buying side, not just the shooting side.

What the quiz sorts out for you

Three lanes. The quiz tells you which one you’re actually in.

Lane 1 · Starter

You haven’t landed paying agents yet.

The $37 First $1K Playbook: exactly where to find agents, what to say, and what to charge to land your first paying clients in your first couple of weeks — no portfolio required.

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Lane 2 · Builder

You’re booked, but buried.

Editing, scheduling, follow-up, invoicing — the half of the week nobody pays you for. My team runs your back office and feeds you overflow shoots, so you grow without hiring a soul.

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Lane 3 · Operator

You want the whole engine in your market.

The entire system installed in your city, one operator per market, on a revenue share — the same engine now running in four more markets.

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I don’t just teach it — I run it

Every strategy is tested on my own business first.

My studio clears $20K–$30K in a busy month. Here’s the math so you know it isn’t a round-number lie: 65–85 paid shoots a month at $300–$450 each.

That’s my home studio in Minneapolis, ranked #1 on Google for real estate photography — so search it. 1,500+ listings shot since 2018. And the same system now runs with operators in four more markets.

$20–30K
in a busy month
#1
on Google, Minneapolis
1,500+
listings shot since 2018
4 more
markets on the same system
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Ranked #1 on Google for real estate photography in Minneapolis Real estate photography portfolio — 1,500+ listings shot since 2018

A real member win

Not a case study. A screenshot.

Dom booked his first broker meeting after running the outreach — and had a $452.66 payout day on top of it.

D

Dom · Community member

First broker meeting · $452.66 payout day

Win
Dom's first broker meeting and $452.66 payout day
Watch Dom talk through his first wins

A member walking through what actually moved the needle.

Results aren’t typical. Dom did the work. Nothing here is a guarantee of income.

Free, and actually free

Not ready to spend a dollar? Start in the free community.

A free Skool community with a weekly live Q&A where real estate photographers trade what’s working — pricing, outreach, systems. No pitch, no catch. Stay as long as it’s useful.

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Straight answers

Six questions figure out where you actually are — pre-revenue, booked but buried, or ready to run a market — and route you to the roadmap built for that stage instead of generic advice.
Yes. There’s a free Skool community with a weekly live Q&A. It’s genuinely useful on its own, and you can stay there as long as you want.
Yes. If you haven’t shot a paid listing yet, the quiz points you to the $37 First $1K Playbook — the exact steps to land your first paying agents in your first couple of weeks. No fancy gear or portfolio required.
I spent 10 years as a real estate agent before I ever picked up a camera, so I know what makes an agent say yes. In a busy month my studio clears $20K–$30K, and it is ranked #1 on Google for real estate photography in Minneapolis. The same system now runs with operators in four more markets.
No. Everything here is about building systems so your income doesn’t stop when you stop shooting. Results depend on your market and your effort. Nothing here is a guarantee of income.

Stop guessing which advice applies to you.

Six questions, sixty seconds, and the roadmap for exactly where you are. That’s the whole ask.

Take the quiz →